当代美国戏剧的多样性 语言视角PDF电子书下载

本书系在博士论文基础上经过修改的研究美国戏剧的科研成果。本书深入分析了白人剧作家大卫·马梅特、女性剧作家玛莎·诺曼和华裔剧作家赵健秀剧作中语言的社会功能、语言与自我的丧失与重构以及语言与族裔认同之间的关系。

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Introduction 1

Chapter One Language and Power in the Plays of David Mamet 36

Ⅰ.Speaking， Manipulating， and Selling in Business—Glengarry Glen Ross 40

Ⅱ.Language， Power， and Understanding in Academia—Oleanna 68

Chapter Two Language and Self in the Plays of Marsha Norman 98

Ⅰ.The Impossibility of Getting Out in Silence—Getting Out 101

Ⅱ.A Silent Woman Getting Out—’night， Mother 142

Chapter Three Language and Ethnic Identity in the Plays of Frank Chin 170

Ⅰ.The Revolt and Disillusionment of a Linguistic Orphan—The Chickencoop Chinaman 172

Ⅱ.The Predicament of a Loud-mouthed Chinese American Son—The Year of the Dragon 197

Conclusion 230

Works Cited 235

后记 254

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